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MUSIC

Introduction


SONGS

Ladainhas
Chulas
Corridos
Despedidas

Samba de Roda




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INTRODUCTION


In Afro-Bahian culture, music is an central part of everyday life. The music of capoeira angola thus reflects the experiences of ordinary, everyday people and a long history of suppression and neglect. Capoeira songs often contain subtle warnings, irony, and veiled references to Catholicism and Afro-Brazilian religion.

In the capoeira circle (or roda), there are three main song types: the ladainha, the chulas, and the corrido. Others include quadras, despedidas, and cantigas de sotaque ("songs of challenge").

The traditional capoeira angola orchestra, or batería, now usually comprises of eight instruments, consisting of three berimbaus, two pandeiros (tambourines), a reco-reco (scratcher), an agogo (double bell), and an atabaque (barrel drum). The eight instruments provide a musical context for the game.

Historically, other instruments have also been used, including the adufe (a square pandeiro), the xekeré (gourd shaker with beads), chocalho (metal rattle), violão (guitar), apito (whistle), cuica (friction drum), ganza (shaker) and even castanets. The strong role played by music in Bahian capoeira may have also helped the practice survive as an innocent pastime, unlike other parts of Brazil, where it was all but lost in the early twentieth century.

Capoeira music is just one of many types of music found in the region. Other forms include maculelê, puxada da rede, afoxé, batuque, samba-reggae (aka batucada or blocos afros), candomblé, and a wide variety of samba styles—all of which mix together an influence each other. Samba songs sometimes become capoeira songs (such as "Vou ver Juliana" and "Marinheiro só," both staples in samba-de-roda). Capoeira songs are likewise quoted in pop songs (such as "Lapinha" by Sergio Mendes & Brasil 66, which borrows heavily from a quadra about Besouro Mangangá). Capoeira music thus remains connected to the culture of the people, its traditions, and aspects of personal style—just like the game itself.

These pages are to help interested readers become better acquainted with the music of capoeira, and the culture that it represents.